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Graceful Gold. This solid 14K white gold headjoint is adorned with a rose gold lip plate, riser, and crown. It features Brannen's Modified Cooper Cut, offering slightly more resistance than the Modern Cooper. A perfect match for any flute.
Radiant Rose. This solid 14K rose gold headjoint is a prime example of the Brannen tradition. It has precision and power as well as clarity and warmth of sound. The response is phenomenal and articulation stunning. Expressive possibilties will abound when you combine this excellent headjoint with your existing flute.
Blue-Ribbon Burkart. This classic sterling silver headjoint exemplifies Burkart's superior quality and design. Producing a full-bodied sound that is fluid and flexible, you will be amazed at how stable and easy it is to play. The ability for nuance and color change is remarkable.
Lillian Burkart Platinum Headjoint. Solid platinum tube with 14K gold lip, riser & crown. Serial #1000.
Designer Drelinger. One of Drelinger's most popular models. Crafted from the proprietary formulation known as Karritium®, this MaxHeadjoint combines the Drelinger Modern-Wing, Free-Flo®, and Platinum-Air-Reed® in a single headjoint design.
Lovely Legato. This is one of the loveliest Haynes flute headjoints we’ve seen. We’re always thrilled to be able to offer our clients great examples of 14K Haynes Headjoints, and even more so when we see them in this exceptional condition.
Elegant Landell. John Landell is based in Vermont and has been making flutes and headjoints, one at a time, for over 40 years. The careful craftsmanship can not only be seen, but also heard immediately when playing this little masterpiece. It has great projection and crisp articulation.
Amazing Miyazawa… This Miyazawa MZ-2 is absolutely stunning in 14K gold. Having always enjoyed expert care and handling, and very little use, it remains in unusually pristine condition.
.925 Sterling Silver. .016" (medium wall) tubing. Each Oleg Headjoint is built to an innovative Oleg Scale which restrains the centrifugal pitch tendencies prevalent in traditional scales. This means flute players can produce their best sound without the micro-adjustments, calisthenics, and embouchure gymnastics commonly tolerated with most flutes.
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